Citizens Danton, Desmoulins, and Robespierre are the primary figures in this historical epic, as each moves from provincial beginnings to Paris and a larger-than-life status in the heady days of revolutionary fervor and terrible excess. (Mar.British novelist Mantel weighs in with her American debut: a massively impressive, painstakingly detailed saga of the French Revolution as its leaders lived it. History Book Club, QPB and BOMC alternates. This is historical fiction of the first order. Her gift is such that we hang on to every word, following bewildering arguments and Byzantine subplots with eager anticipation. Mantel makes use of diaries, letters, transcripts and her own creative imagination to create vivid portraits of the three men, their families, friends and the character of their everyday lives. The feckless, charming Camille Desmoulins, loved by all but respected by few, dances between the two, writing incendiary articles to keep the flames of revolt alive.
As the lusty, likable and ultimately more democratic Danton observes, it is impossible to hurt anyone who enjoys nothing. Rigidly puritanical, he is able to strike terror into the most stalwart of hearts, and his implacable progress towards his goal makes him the most formidable figure of the age.
The three revolutionaries, longtime acquaintances, spend their days scheming and fighting for a corruption-free French Republic, but their definitions of ``corrupt'' are as different as the men themselves. Mantel recounts the events between the fall of the ancien regime and the peak of the Terror as seen through the eyes of the three protagonists-Robespierre, Danton and Desmoulins-and a huge cast of supporting characters (including brief appearances by the scrofulous Marat). ``History is fiction,'' Robespierre observes at one point during British writer Mantel's monumental fictive account of the French Revolution, her first work to appear in this country.
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